The Post is the American historical political thriller of 2017 directed and produced by Steven Spielberg and written by Liz Hannah and Josh Singer. This is Meryl Streep's star as Katharine Graham, the first female publisher of the major American newspaper, and Tom Hanks as Ben Bradlee, executive editor of The Washington Post, with Sarah Paulson, Bob Odenkirk, Tracy Letts, Bradley Whitford, David Cross, Bruce Greenwood, Carrie Coon, and Matthew Rhys in supporting roles. Set in the early 1970s, The Post illustrates a true story of an attempt by a reporter at The Washington Post to publish Pentagon Papers, a secret document involving 30 years of engagement the United States government in the Vietnam War.
The subject of photography begins in New York City in May 2017. The film premiered in Newseum in Washington, DC on December 14, 2017 and begins a limited release in the United States on December 22, 2017. It has an extensive release on January 12, 2018, and is reaping $ 174 million worldwide.
The film received positive reviews, with critics praising the performances in the film (especially those from Streep, Hanks, and Odenkirk) and recording references and figures for presidents Richard Nixon and Donald Trump. The Post was selected by the National Board of Review as the best movie of 2017 and was named one of the top 10 movies of the year by the Time and the American Film Institute. The film was nominated for Best Picture and Best Actress (for Streep) at the 90th Academy Awards, and also received six nominations at the 75th Golden Globe Awards: Best Motion Picture - Drama, Best Director, Best Actress - Drama (for Streep) , Best Actor - Drama (for Hanks), Best Screenplay, and Best Original Score.
Video The Post (film)
Plot
In 1966 Vietnam, Foreign Ministry military analyst Daniel Ellsberg (Matthew Rhys) accompanied US troops in battle, documenting the progress of US military activity in the region for Defense Minister Robert McNamara (Bruce Greenwood). On the flight home, McNamara revealed to Ellsberg and William Macomber (Cotter Smith) his view that the war in Vietnam was hopeless, but, after landing, told the press he had confidence in the war effort. Ellsberg overhears this and becomes disappointed. Years later, as a civilian military contractor working for RAND Corporation, Ellsberg secretly photocopies reports documenting the country's decades-long engagement in the conflict in Vietnam, since returning to the Truman administration. Ellsberg then leaked these documents to reporters at The New York Times; the film follows two weeks in 1971 at The Washington Post and the publishing of the Pentagon Papers.
Katharine Graham's heiress Meryl Streep attempts to balance her social life with her responsibilities as owner and publisher of The Washington Post following the death of her husband Phil Graham and her father Eugene Meyer. He worries about the preparation of the newspaper stock market launch, an act he recognizes as crucial to strengthening the economic stability of the newspaper. Graham has no experience and is often ruled out by more assertive people who suggest or work for him, such as editor-in-chief Ben Bradlee (Tom Hanks), and board member Arthur Parsons (Bradley Whitford). Bradlee tried in vain to match The New York Times's ability to get a spoon. Meanwhile, McNamara, an old friend of Graham, confessed in him that he would be the subject of unflattering coverage by the Times . The story turned out to be an exposure of a longstanding American public scam. However, this series was stopped by a court order against further publication by Times .
Post assistant editor of Ben Bagdikian (Bob Odenkirk) tracks Ellsberg as the source of the leak, which gives Bagdikian a copy of the same material given to Times . A team of reporters Post options sorting piles of papers, looking for headlines. Lawyers for Post recommend not to publish material, lest the Nixon administration bring criminal charges against them. Graham speaks with McNamara, Bradlee, and is trusted chairman of Fritz Beebe (Tracy Letts), torturing the decision of whether to publish. The situation gets even more complicated when the Posting lawyer finds that the same Bagdini source as Times ' s might put Graham in the contempt of court. If a lawsuit was filed against the company, Graham could destroy the newspaper he saw as a family heritage. Alternately, if he/she wins a legal challenge, Posting can even establish itself as an important journalistic institution. He chose to run the story.
The White House replied, and in a short time the Post and Times appeared together before the Supreme Court requested their First Amendment argument for the right to publish the material. Meanwhile, newspapers across the country raised the story in solidarity with the Post and Times. The court ruled 6-3 in favor of the newspaper, endorsing Graham's decision. Nixon demanded that Post be banned from the White House. One year later, security guard Frank Wills discovered an ongoing breakthrough at the Watergate complex after a guest at the so-called Watergate hotel complained about a person using a flashlight.
Maps The Post (film)
Cast
Production
In October 2016, Amy Pascal won the bid for rights to the The Post scenario, written by Liz Hannah. In February 2017, Steven Spielberg had stopped pre-production at Edgardo Mortara's Abduction after a casting setback, and consequently opened his schedule to other potential films to be directed. The following month, it was announced that Spielberg was negotiating to direct and produce the film, with Meryl Streep and Tom Hanks in talks for the roles of Katharine Graham and Ben Bradlee, respectively. The Post is the first time Spielberg, Streep, and Hanks work together in a movie.
Spielberg read the scenario and decided to direct the film as soon as possible, quoting that "when I read the first draft script, it's not something that can wait three years or two years - this is the story I feel we needed to tell today." Spielberg works on The Post while the post-production work continues on the visual-heavy-effects of Ready Players One, the familiar situation for him from concurrent production, in the early 1990s, Jurassic Park and Schindler List . Josh Singer was hired to rewrite the scenario ten weeks before filming.
When filming began, a number of New York Times figures related to the Pentagon Papers case - James Greenfield, James Goodale, Allan Siegal, and Max Frankel - - turned to film production due to the lack of scripting emphasis on the Time ' role in breaking stories. Goodale, who at the time was an inside counselor, who later called the movie "a good movie but a bad history."
Filming
The film begins major photography in New York on May 30, 2017. On June 6, 2017, it was announced that the project, entitled The Papers, will also star in Alison Brie, Carrie Coon, David Cross, Bruce Greenwood, Tracy Letts, Bob Odenkirk, Sarah Paulson, Jesse Plemons, Matthew Rhys, Michael Stuhlbarg, Bradley Whitford, and Zach Woods. On August 25, 2017, the movie title is returned to The Post . Spielberg completed the final piece of the film on November 6, 2017, with the final chorus also finished along with the musical score a week later, on 13 November.
Costume design
Writing for The New York Times , Manogla Dargis points out some high points in the costume design used in the film that says, â € Å"The Ann Roth costume designer subtly brightened Katharine, taking her from gray tin to gold. free flowing. ".
Music
Score for the film was written by John Williams; this is a collaboration of 28 with Spielberg. Music is a combination of traditional orchestra instrumentation and what Williams calls "very light, computerized electronic effects." Williams was initially bound to write music for Spielberg's Ready Player One , but, since the two films have similar post-production schedules, Williams chose to work on The Post while Alan Silvestri was compiled for Ready Player One . Spielberg says that The Post is a rare example where he went to recording sessions "for not hearing notes" in advance.
The recording begins on October 30, 2017 in Los Angeles. The soundtrack was digitally released by Sony Classical Records on December 22, 2017 and in physical form on January 12, 2018.
Track list
Release
The Post premiered in Newseum in Washington, DC on December 14, 2017. It started a limited theatrical broadcast in the United States on December 22, 2017, and a broad release on January 12, 2018. The film is distributed internationally through an agreement distribution of Amblin Partners with Universal Pictures, Reliance Entertainment, and Entertainment One Films. The film was released by Reliance in India. Tom Hanks has expressed his disinterest to appear at a potential White House screening for Donald Trump.
Marketing
The first official image of The Post was released on October 31, 2017. The trailer for The Post aired exclusively on The Late Show with Stephen Colbert, at 7 November 2017, and a movie poster, designed by BLT Communications, was released the following day. The first TV spot, entitled "Uncover the Truth", was released on November 21, 2017.
Home media
The Post was released on Digital HD on April 3 and on Blu-ray/DVD April 17 by 20th Century Fox Home Entertainment.
Reception
box office
The Post has grossed $ 81.9 million in the United States and Canada, and $ 92.6 million in other regions, totaling $ 174.5 million worldwide, against a production budget of $ 50 million. During the December 22-24 limited edition The Post, it grossed $ 526,011 (and a total of $ 762,057 for the four-day Christmas weekend) from nine theaters. The following weekend, the film grossed $ 561,080 for an average per-theater $ 62,342, one of the tallest in 2017. The film has an extensive release in addition to the opening of The Commuter , Paddington 2 and Proud Maria , and is projected to be approximately $ 20 million from 2,819 theaters over the weekend. It generated $ 5.9 million on the first day and $ 18.6 million over the weekend (and four MLK weekend days totaling $ 23.4 million), taking second place at the box office behind Jumanji's arrest: Welcome to the Jungle . 66% of its opening weekend audience is over 35 years old. Decreased 37% over the following weekend to $ 12.2 million, finishing fourth behind Jumanji and newcomers 12 Strong and Den of Thieves . It dropped to fifth in the third week of its vast, best-selling $ 8.9 million release.
Critical response
In a review of Rotten Tomatoes, the film earned an 88% approval rating based on 321 reviews, with an average rating of 7.9/10. The important consensus of this site reads, " The Post period setting denying timely themes, bringing fascinating life by director Steven Spielberg and a remarkable ensemble player. " At Metacritic, which gives a normalized ranking for review, the film has a weighted average score of 83 out of 100, based on 51 critics, which shows "universal recognition". Viewers surveyed by CinemaScore gave this movie an average rating of "A" on a scale of A to F, while PostTrak reported 63% of the audience gave this movie "definitive recommendations".
Alonso Duralde of TheWrap praised Spielberg's acting and direction, although taking the script as too often, said, "The Post passed the most difficult test of a historical drama: It makes us understand that decision which has been validated by the lens of history is a difficult decision to make at that moment, and this generates tension as to how all those parts fall into place to make that decision a reality. "David Ehrlich of IndieWire gave the A-movie and wrote:" Nothing which needs to be reminded that history tends to spin, but The Post is very important because capturing ecstasy tries to break the chain and bend things to justice: keeping the basic principles of the Constitution has not been much fun since Hamilton . "
Chris Nashawaty, writing for Entertainment Weekly, gave this film a positive review, but also compared it with previous journalistic films like All Men of the President and stated: "Spielberg made this day- important days in American history are easy to follow. But if you see The Post next to something like All Men of the President , you see the difference between having the story passively explained to you and actively helping to decipher it.This is a small argument with a movie that acts urgently and flawlessly, but that's also the difference between a very good movie and a great movie. "
Manohla Dargis of The New York Times awarded the Critical's Pick film of the NYT with Spielberg's strong acknowledgment as a director who stated, "Mostly, (Post's to publish) decline quickly, through Mr. Spielberg with an accelerated rhythm, flying feet, racing cameras, and a loose approach to matter, with his skilled veteran crew, Mr. Spielberg painted the scene clearly and with the beauty dub, the most prominent, he created a different visual landscape for the two main overlaps, in a colliding world, Katharine reigned more than one, at first all but buried in her dark, wood-paneled kingdom, Ben commanded the others, watching the fighters who spoke and typed. and noisy, ".
Matt Bobkin, writing for Exclaim! , gave this film 6 out of 10 scores, saying the film "has all the makings of an award-winning season, but is too calculated to reflect the current slums and fragile sociopolitical and fragile climate."
The depictions
The film undermines the role of reporters from The New York Times in the leak of the Pentagon Papers and emphasizes the Washington Post's Engagement . In an interview with the Columbia Journalism Review, the former New York Times associates James Greenfield, who co-ordinates the Pentagon Papers project as a Times > 'overseas editors; James Goodale, general counselor of the Times at that time; and Max Frankel, Times 'bureau chief of Washington when Papers published , criticized the depiction of films smaller than newspapers. The New York Times not only publishes the Pentagon Papers before The Washington Post but also sets the stage for a major legal battle between the press and the government of the United States. The newspaper also won the 1972 Pulitzer Prize for Public Service for its contribution. The 1972 Pulitzer jury journalists noted in their recommendation not only the significance of Ellsberg's Pentagon Papers leaks, but also from Neil Sheehan's reporter Neil Sheehan, Hedrick Smith, Fox Butterfield and EW Kenworthy, and states that their efforts are "a combination of investigative reports, analysis, research, and writing - all of which are added to a very meritorious public service, not only for The Times readers but for the nation as well." Goodale noted in an article for The Daily Beast that the Times publishes Papers after Ellsberg leaks it to Sheehan, and further states that the film "Creates a false impression that the Post is a major player in such publications, as if Hollywood had made a movie about the winning role of the Times at Watergate. " In PBN NewsHour, Goodale further says, "Although a producer has an artistic license, I think it should be limited in situations like this, so the public comes with an understanding of the actual facts, in this case. And I think if you do a movie now, when [President Donald] Trump chooses a press for 'fake news', you want to be authentic.You do not want to be in any fake way. "
Accolades
Note
See also
- All Men's Presidents : 1976 Best Film nominee for the Post endeavor to break the Watergate scandal, with Ben Bradlee also playing.
- The Most Dangerous Man in America (Oscar nominated documentary 2009)
- The Pentagon Papers (movie 2003)
References
External links
- Official website
- The Post on IMDb
- Postings in AllMovie
- The Post in Box Office Mojo
- Post in Metacritic
- Post at Rotten Tomatoes
- The Post at History vs. Hollywood
Source of the article : Wikipedia
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