Expressionist Dance (German "Ausdruckstanz" or "Neuer Tanz", "Fridans" Swedish) is a term for movement that emerged in 1900 in protest against the artistic stagnation of classical ballet and towards maturity in the future of art in general. Traditional ballet is considered to be hard, mechanical, and tightly held in a fixed and conventional form.
This new dance is more free, natural and less regulated by rules. It is strongly influenced by the way the visual art of expressionism. The expressionist dance grew until World War II, when it almost completely disappeared in Central Europe.
Typical for expression dance is a lot of night solo dance held. This is influenced by individual claims to create and present their own choreography. Choreographers and dancers are often one and the same person.
The terminologies are diverse and the concept of "expressionist dance" came in and around the mid-1900s, and entered into the broader concept of modern dance in the late 1900s, largely reunited with traditional axes.
Nama lain untuk itu yang tidak digunakan termasuk Modern Dance , Absolute Dance , Free Dance , Dance Art dan Art of Movement . Tari ekspresionis Jerman terkait dengan Dance Theater .
Video Expressionist dance
Histori
Expressionist dance is characterized by the passing of modernism, vitalism, expressionism, avant-garde and general protests against artistic stagnation and the old society. Ballet is considered a shallow entertainment. The new dance is an art, both individual and artistic creation. The dance is described as the art of movement.
It was a revolution. It will be more expressive, and show more passion and emotion and less skill. This dance will be improvised, unhindered and provocative. Future spiritual reform movements and future bodies express themselves in the new "natural" nude dance. The women take the main stage. A major protagonist is Isadora Duncan, who was around 1900 taken from classical dance techniques and costumes. He even took off his dancing shoes - "You do not play the piano with gloves". He wants to unite his body, mind and spirit in his art, and searches with Olga Desmond for inspiration in ancient Greek and Egyptian art, during the time of Orientalism.
The revolutionary movement in Germany and the United States is the most obvious, two countries that do not have an older ballet tradition. Front runners in Europe, for example, Clotilde von Derp, Hertha Feist, Hilde Holger, Loie Fuller, Jo Mihaly and especially Mary Wigman.
Schools for expressionist dance have special philosophy and emphasis for dance, such as naturalness, breathing, tension/relaxation, etc. It is often associated with floor contact, "heavy" dance moves, and experiments with music. Body and physical is very emphasized. Rudolf von Laban is a theoretical leading figure based on metaphysical ideas. He caters for the time from Monte VeritÃÆ', which is also a center for new dances. One of his students is Kurt Jooss.
Mary Wigman is an important trendsetter as a dancer, choreographer and teacher. At his school in Dresden (opened in 1920) he taught the main European dancers, Gret Palucca, Harald Kreutzberg, Jeanna Falk, Dore Hoyer and Yvonne Georgi. Only Holm brought his theory to the United States, while Birgit ÃÆ'â € | kesson went his own way with dance research.
The Denishawn School in the United States was founded by Ruth St. Denis and Ted Shawn, with students like Martha Graham and Doris Humphrey. Independent dance and its pioneers come to form the backbone of modern dance, with many branches growing to this day.
Butoh was inspired by the German expressionist dance of the 1950s.
Maps Expressionist dance
Literature
Bergsohn, H. and Partsch-Bergsohn, I. (2003) Modern Dance Makers in Germany: Rudolf Laban, Mary Wigman, Kurt Jooss. Independent Publishing Group. ISBNÃ, 0-87127-250-4
References
Source of the article : Wikipedia
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